here’s what I think works. Try it.

November 29, 2011 by keirartworks Leave a comment

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Categories: Art, Music, The cordwood house- 2006-2013 | Tags: change, fun, imagination, positive, proactive | Permalink.

Author: keirartworks

Artist, Musician, Writer, Teacher. Mum to an incredible person, friend to many, Incredibles. Gardener. Thinker. Collaborator. K

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I wanted to put the ‘positive’ image on the black ground, and the inverse one on white… Here’s the drawing

Cotton Factory / Hamilton Arts Council Residency studio, January 2019

Cello Spine, from What Makes Us, 2004. Acrylic and vine charcoal on Linen, 6’x 28″, sold.

moose – acrylic on paper, 2001 26″x40″ unframed. Not sold.

inheritance from two families on my mother’s side: A proud sign from Kennedy Foundry of Owen Sound, hanging on the wall of Circle Bar Ladies’ Hosiery factory, also in Owen Sound, owned and operated by my mom & aunt’s grandparents, Walter and Catherine Keebler.

blue ground from “Axe” before cheesecloth and netting layer applied

paintings on silk, china marker drawings. Hmmm, what will these become? Hamilton Residency 2019

Hip Cello, from 2008, recently come back to me, since the owner has drastically reduced his wall space.. I’ve missed this one.

three of five images, underdrawing…

Chalk Horse, 2014; 48″sq, acrylic and mixed media on canvas. I wrote two blogs about the process of this painting called “Letting Go”. Not sold; $1,850.00

Bell 4: Sound Waves [detail] near completion at Hamilton Residency, 2019

detail of 4’x4′ painting in progress: D-ring snaffle bit

from #Selfie (2014). inverse image of me on white indian cotton.

detail d. intervention 2

me hiding behind my other self

“Throwback”, 2014, 60″x60″, Acrylic on a piece of artist’s canvas (I’d used as a housepainting drop sheet for 15 years). $2,950.00

front

detail from a painting I’m working on now. I think it’s about my parents…

taken when I was backing up Larry Jensen at The Court House, somewhere around 2004

We had goats when I was a kid [nubians]. I have enormous respect and love for them.

And shiny, reflective things…

this one is singing now….

View from the 3rd floor at Cotton Factory. You can see the old site for Ivor Wynn Stadium – my name could still be buried there somewhere on microfiilm to record a 1968 dedication ceremony involving Pierre Trudeau and the Mayor of Hamilton. I was five, I think.

‘Black’. 2014, 36×36, acrylic on dyed cotton.

6×6″, mixed media on paper, 1999 (sold)

By tomorrow morning these two will be in the hall, and the next two up & talking. Stay with me, folks….

3pm today. It has since transformed again. Sold.

From #Selfie (2014). ‘Masks’ – 84″ x 36″; mixed media on canvas; $3,250.00

apologies – this is a studio shot and I was in a rush – show opening 2 hours hence. It’s a bit blurry. Will post proper shot when I can…

detail of Snaffle Bit (in progress). 4′ square

taken September 27th, 5pm.

Bruce Peninsula tree in early spring

Silence (detail), from Sea Hear, 2001

Algomarine at dock in Owen Sound harbour. I took this photo in 2009, and used in 2014 it as reference for the background of “Axe”

plant fire

“Bee”, acrylic and graphite on paper, 1999. 6×8″. Original is sold, but I am in the process of making prints. Will post on art page when they’re available

Me painting at age 16

Bell 3: Dark near completion at Hamilton Residency

functional art – cobalt blue runner; sienna napkins – 5′ .5″ long by 24″ wide, back flannel back. $289.00 plus shipping

“Snakeroot”, 6×6″, graphite and acrylic on paper, 1999. Sold

“Round I: Pilgrimage”, 36″, mixed media on canvas

drawing on background

detail from “Manitoulin”, which I painted in 2004. This one’s big – approx 7’w x 5’h

diptych Shovel/Axe. 29″w x 78″h (x 2). $1799. each; $3,600. as dyptich.

Thanks for the rehearsal, L. More therapy.

underdrawing for “response to Selfies 1”

polywog (detail), from What Makes Us, 2004

The only painting I cannot sell the original of – inspired by Ted Huges’ book “Crow”, and painted after a near-death experience on the Gardiner Expressway in Toronto. Two full-sized high-quality prints are left of an edition of 4 – $600. unframed each.

detail of the same painting

drawing on background for ‘Axe’

Hologram, from a series of paintings about music from 2001. I’ve always wanted to create a third image that exists in front of the painting, depending on the light & time of day. It worked in this one. Impossible to photograph, tho.

Dad’s chopsaw – I cut an 1100 sq foot ash floor on this. Now it’s in a painting

Bell 4: Sound Waves, and two other pieces in progress, Cotton Factory Residency, 2019

The one just finished. 60″x72″; $3,350. It’s difficult to understand scale here (thumbnails are same size as my face). This one had me on lock-down for the last two days of its’ fulfillment.

This is a huge canvas that has served as the ‘catcher of drips’ on my studio wall for the past six years. it will become four huge paintings – each with five years of painting drips embedded

Beaver River valley, from What Makes Us, 2004. 18″ w x 48″, sold.

“wishbones”, 1999, 6×8″, acrylic and graphite on paper. Sold

‘shovel’ very close to finished

#Selfie (Summer 2014 solo show): Round II: Surrender. 24″ Work in progress

“Resonance”, from Sea Hear (2001). 60″x48″; sold

Here’s the photoshop sketch for Red. Looking also for another image to layer on top of this for symbolic reasons… it will come.

Bell 4: Dark, @ residency studio. working on push/pull surface reflections

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how to contact me

keirartworks@gmail.com

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hmmm. hmmm? Observations, actions and connection points through art.

here’s what I think works. Try it.

Author: keirartworks

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