sometimes work is beautiful.

August 23, 2012 by keirartworks Leave a comment

My dad’s chopsaw, that cut all 1000 sq feet of our 1 1/4″ ash floor.
Thanks dad.

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Categories: Art, Music, The cordwood house- 2006-2013 | Permalink.

Author: keirartworks

Artist, Musician, Writer, Teacher. Mum to an incredible person, friend to many, Incredibles. Gardener. Thinker. Collaborator. K

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taken September 27th, 5pm.

Here’s the photoshop sketch for Red. Looking also for another image to layer on top of this for symbolic reasons… it will come.

paintings on silk, china marker drawings. Hmmm, what will these become? Hamilton Residency 2019

functional art – cobalt blue runner; sienna napkins – 5′ .5″ long by 24″ wide, back flannel back. $289.00 plus shipping

detail d. intervention 2

Cotton Factory / Hamilton Arts Council Residency studio, January 2019

Hip Cello, from 2008, recently come back to me, since the owner has drastically reduced his wall space.. I’ve missed this one.

apologies – this is a studio shot and I was in a rush – show opening 2 hours hence. It’s a bit blurry. Will post proper shot when I can…

‘shovel’ very close to finished

drawing on background

“Bee”, acrylic and graphite on paper, 1999. 6×8″. Original is sold, but I am in the process of making prints. Will post on art page when they’re available

We had goats when I was a kid [nubians]. I have enormous respect and love for them.

from #Selfie (2014). inverse image of me on white indian cotton.

Bell 4: Dark, @ residency studio. working on push/pull surface reflections

The one just finished. 60″x72″; $3,350. It’s difficult to understand scale here (thumbnails are same size as my face). This one had me on lock-down for the last two days of its’ fulfillment.

drawing on background for ‘Axe’

inheritance from two families on my mother’s side: A proud sign from Kennedy Foundry of Owen Sound, hanging on the wall of Circle Bar Ladies’ Hosiery factory, also in Owen Sound, owned and operated by my mom & aunt’s grandparents, Walter and Catherine Keebler.

Thanks for the rehearsal, L. More therapy.

Bell 4: Sound Waves, and two other pieces in progress, Cotton Factory Residency, 2019

front

polywog (detail), from What Makes Us, 2004

Bell 4: Sound Waves [detail] near completion at Hamilton Residency, 2019

“Throwback”, 2014, 60″x60″, Acrylic on a piece of artist’s canvas (I’d used as a housepainting drop sheet for 15 years). $2,950.00

Cello Spine, from What Makes Us, 2004. Acrylic and vine charcoal on Linen, 6’x 28″, sold.

3pm today. It has since transformed again. Sold.

I wanted to put the ‘positive’ image on the black ground, and the inverse one on white… Here’s the drawing

“Resonance”, from Sea Hear (2001). 60″x48″; sold

View from the 3rd floor at Cotton Factory. You can see the old site for Ivor Wynn Stadium – my name could still be buried there somewhere on microfiilm to record a 1968 dedication ceremony involving Pierre Trudeau and the Mayor of Hamilton. I was five, I think.

detail of the same painting

By tomorrow morning these two will be in the hall, and the next two up & talking. Stay with me, folks….

Beaver River valley, from What Makes Us, 2004. 18″ w x 48″, sold.

6×6″, mixed media on paper, 1999 (sold)

detail of 4’x4′ painting in progress: D-ring snaffle bit

From #Selfie (2014). ‘Masks’ – 84″ x 36″; mixed media on canvas; $3,250.00

The only painting I cannot sell the original of – inspired by Ted Huges’ book “Crow”, and painted after a near-death experience on the Gardiner Expressway in Toronto. Two full-sized high-quality prints are left of an edition of 4 – $600. unframed each.

taken when I was backing up Larry Jensen at The Court House, somewhere around 2004

Silence (detail), from Sea Hear, 2001

Algomarine at dock in Owen Sound harbour. I took this photo in 2009, and used in 2014 it as reference for the background of “Axe”

Bell 3: Dark near completion at Hamilton Residency

blue ground from “Axe” before cheesecloth and netting layer applied

underdrawing for “response to Selfies 1”

Bruce Peninsula tree in early spring

three of five images, underdrawing…

this one is singing now….

detail of Snaffle Bit (in progress). 4′ square

Chalk Horse, 2014; 48″sq, acrylic and mixed media on canvas. I wrote two blogs about the process of this painting called “Letting Go”. Not sold; $1,850.00

And shiny, reflective things…

This is a huge canvas that has served as the ‘catcher of drips’ on my studio wall for the past six years. it will become four huge paintings – each with five years of painting drips embedded

moose – acrylic on paper, 2001 26″x40″ unframed. Not sold.

me hiding behind my other self

Me painting at age 16

#Selfie (Summer 2014 solo show): Round II: Surrender. 24″ Work in progress

Hologram, from a series of paintings about music from 2001. I’ve always wanted to create a third image that exists in front of the painting, depending on the light & time of day. It worked in this one. Impossible to photograph, tho.