The Far Horizon

March 29, 2017 by keirartworks Leave a comment

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Author: keirartworks

Artist, Musician, Writer, Teacher. Mum to an incredible person, friend to many, Incredibles. Gardener. Thinker. Collaborator. K

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detail d. intervention 2

‘shovel’ very close to finished

apologies – this is a studio shot and I was in a rush – show opening 2 hours hence. It’s a bit blurry. Will post proper shot when I can…

three of five images, underdrawing…

3pm today. It has since transformed again. Sold.

detail from a painting I’m working on now. I think it’s about my parents…

Dad’s chopsaw – I cut an 1100 sq foot ash floor on this. Now it’s in a painting

This is a huge canvas that has served as the ‘catcher of drips’ on my studio wall for the past six years. it will become four huge paintings – each with five years of painting drips embedded

front

Thanks for the rehearsal, L. More therapy.

‘Black’. 2014, 36×36, acrylic on dyed cotton.

By tomorrow morning these two will be in the hall, and the next two up & talking. Stay with me, folks….

detail from “Manitoulin”, which I painted in 2004. This one’s big – approx 7’w x 5’h

Here’s the photoshop sketch for Red. Looking also for another image to layer on top of this for symbolic reasons… it will come.

Algomarine at dock in Owen Sound harbour. I took this photo in 2009, and used in 2014 it as reference for the background of “Axe”

Chalk Horse, 2014; 48″sq, acrylic and mixed media on canvas. I wrote two blogs about the process of this painting called “Letting Go”. Not sold; $1,850.00

Silence (detail), from Sea Hear, 2001

underdrawing for “response to Selfies 1”

The only painting I cannot sell the original of – inspired by Ted Huges’ book “Crow”, and painted after a near-death experience on the Gardiner Expressway in Toronto. Two full-sized high-quality prints are left of an edition of 4 – $600. unframed each.

“Snakeroot”, 6×6″, graphite and acrylic on paper, 1999. Sold

moose – acrylic on paper, 2001 26″x40″ unframed. Not sold.

6×6″, mixed media on paper, 1999 (sold)

from #Selfie (2014). inverse image of me on white indian cotton.

new series: foot prints1 (underpainting)

Cello Spine, from What Makes Us, 2004. Acrylic and vine charcoal on Linen, 6’x 28″, sold.

diptych Shovel/Axe. 29″w x 78″h (x 2). $1799. each; $3,600. as dyptich.

“Throwback”, 2014, 60″x60″, Acrylic on a piece of artist’s canvas (I’d used as a housepainting drop sheet for 15 years). $2,950.00

From #Selfie (2014). ‘Masks’ – 84″ x 36″; mixed media on canvas; $3,250.00

detail of the same painting

“Resonance”, from Sea Hear (2001). 60″x48″; sold

polywog (detail), from What Makes Us, 2004

blue ground from “Axe” before cheesecloth and netting layer applied

“Round I: Pilgrimage”, 36″, mixed media on canvas

inheritance from two families on my mother’s side: A proud sign from Kennedy Foundry of Owen Sound, hanging on the wall of Circle Bar Ladies’ Hosiery factory, also in Owen Sound, owned and operated by my mom & aunt’s grandparents, Walter and Catherine Keebler.

Hip Cello, from 2008, recently come back to me, since the owner has drastically reduced his wall space.. I’ve missed this one.

The one just finished. 60″x72″; $3,350. It’s difficult to understand scale here (thumbnails are same size as my face). This one had me on lock-down for the last two days of its’ fulfillment.

this one is singing now….

taken when I was backing up Larry Jensen at The Court House, somewhere around 2004

detail of Snaffle Bit (in progress). 4′ square

drawing on background

Beaver River valley, from What Makes Us, 2004. 18″ w x 48″, sold.

“wishbones”, 1999, 6×8″, acrylic and graphite on paper. Sold

functional art – cobalt blue runner; sienna napkins – 5′ .5″ long by 24″ wide, back flannel back. $289.00 plus shipping

drawing on background for ‘Axe’

plant fire

detail of 4’x4′ painting in progress: D-ring snaffle bit

#Selfie (Summer 2014 solo show): Round II: Surrender. 24″ Work in progress

And shiny, reflective things…

footprints 2 (underpainting)

“Bee”, acrylic and graphite on paper, 1999. 6×8″. Original is sold, but I am in the process of making prints. Will post on art page when they’re available

Hologram, from a series of paintings about music from 2001. I’ve always wanted to create a third image that exists in front of the painting, depending on the light & time of day. It worked in this one. Impossible to photograph, tho.

Bruce Peninsula tree in early spring

I wanted to put the ‘positive’ image on the black ground, and the inverse one on white… Here’s the drawing

taken September 27th, 5pm.

me hiding behind my other self

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how to contact me

keirartworks@gmail.com

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hmmm. hmmm? Observations, actions and connection points through art.

The Far Horizon

Author: keirartworks

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