Keirartworks's Blog

hmmm. hmmm? Observations, actions and connection points through art.


Leave a comment

I feel change

It’s a mouth-taste, odd.  Also pit of my stomach when I notice I’ve casually ‘turned over a stone’ and uncovered memories from 13 years ago.  Remembering I ran away then, wondering at the grand plan that overrode those better instincts and pinned me like a specimen inside a story that wasn’t mine. For a decade.

Print of the Music Room at Haddon Hall, Darbyshire.

Print of the Music Room at Haddon Hall, Derbyshire.

I understand I’m being triggered by recent events that have little to do with me.  It’s fascinating – I feel my pulse change as old traumas rise to the surface, still stinking like dead fish.

In three years I’ve healed enough to function well at a steady pace, to build new systems that will I hope benefit many, articulate plans well enough to go hunt them with proposals, maintain full-time work and a part-time Masters study.  But these rememberings are embedded deeper than surface function.

I’m shocked, ten years on, by the detail of my recall.

 

stgeorgestreetsigns

This is happening now because I’m painting again, in preparation for the December 3 Studio Tour.  There is no way around it – the visual art work always takes me down and in.  The paintings are a by-product.

Nov 2 Bridge to CM Masters

Nov 2 Bridge to CM Masters

Standing Rock #NoDAPL,which on facebook is getting twenty to thirty times the coverage of the US election, world-wide.  It’s not just the pit of my stomach that knows this is a game-changer.  Idle No More, indeed.

I seek to understand my own ancestors, and the ways and means I can forgive them – industrialists, colonials all – for the damage they wrought here.  I am part of that history – that long awful story of dominance, abuse and neglect.

bridgenov2_2

My belly is telling me change is here.  It’s time for a new story.


Leave a comment

Colour Pages #7: White

Veritas.

It’s dark down there – difficult to see, to dig and keep digging.  At the bottom of it, when you get there, you find an understanding that changes the shape of your world.    LindenwoodtrailLookout

I’ve just watched a film about a young prosecutor with great natural integrity who is working in Frankfurt just after WWII.  He is drawn to dig for answers in places where his colleagues are oddly reluctant to go, specifically about what happened at a work camp in Poland.  What happened at Auschwitz is revealed to him through the stories of survivors and he realizes with growing horror that all 8000 soldiers who worked at the camp are complicit.  That everyone who knew what was happening, what had happened, and did nothing, was complicit.

IMG_1106

A culture which covertly rewards cruelty and entitlement to violence is a culture grievously sick.  It’s a culture of people who need desperately to examine and understand their own internal darkness.  It is us, our blood memory.

We are all of us in need of Truth, and then the reconciliation that leads to healing.

IMG_1063

Here’s an excerpt from a story I read on social media this morning, published by “A Mighty Girl” (an organization that collects such stories and offers them as empowerment to young people)

Twenty years ago today, Keshia Thomas was 18 years old when the KKK held a rally in her home town of Ann Arbor, Michigan. Hundreds of protesters turned out to tell the white supremacist organization that they were not welcome in the progressive college town. At one point during the event, a man with a SS tattoo and wearing a t-shirt emblazoned with a Confederate flag ended up on the protesters’ side of the fence and a small group began to chase him. He was quickly knocked to the ground and kicked and hit with placard sticks.

As people began to shout, “Kill the Nazi,” the high school student, fearing that mob mentality had taken over, decided to act. Thomas threw herself on top of one of the men she had come to protest, protecting him from the blows, and told the crowd that you “can’t beat goodness into a person.” In discussing her motivation for this courageous act after the event, she stated, “Someone had to step out of the pack and say, ‘this isn’t right’… I knew what it was like to be hurt. The many times that that happened, I wish someone would have stood up for me… violence is violence – nobody deserves to be hurt, especially not for an idea.”

IMG_1149

Colour pages 1-6 are meditations on red, yellow, green, blue, indigo, violet.

White is made of all these colours, in balance.  Enlightenment.

Falls2

I offer that white is kindness – a simple act of compassion that can unravel any knot of negativity, ease pain, transform anger into forgiveness.  Firm, clear and clean, the white of compassion is a balm to the discolourment of pain.

"Sorrow", otherwise known as Mother Canada, from the memorial at Vimy Ridge

“Sorrow” from the memorial at Vimy Ridge

White is a still, safe, tender place where stories can be told, and heard.

It’s where we find the courage to heal ourselves.


Leave a comment

Bill Reid, Through and In

My phone is in Kingston, 200 km of driving sleet and transport trucks ago.

I travel through this with my daughter from my aunt to my niece. There’s a rightness to the timing.

Bill Reid's Orca

Bill Reid’s Orca

In the Museum of Civilization in Gatineau I find a plug upstairs after the cafe closes.  There’s a bench with cushions so I cross my legs and balance the laptop as I would find centre and lift my paddle in a canoe. Then I write, staring at horizon.

There’s a curve in the tail of Bill Reid’s Orca that keeps him suspended in the air, impossible and alive.

My paddle-calloused fingers type,

I intend…

2001- a painting from a show called Sea Hear, in which I tried once again to paint music

a photo of  ‘Play’ from a 2001 show Sea Hear, in which I tried with all my heart to paint music. My daughter, at 5, chose all the imagery for this one, especially the orcas.

Weightless I am, suspended in the air like this massive hunter whale.  Out of my element, on purpose:  I intend.

I am above the Ottawa River which looks drugged into surrender by the ritual, annual, comforting January cold, across from the Parliament buildings where Justin son of Pierre sits with renewed and informed vigour as our head of state.

They built the beautiful, flower-shaped, buttressed library on the river side, away from the possibility of attack.  Those Statesmen, their advisors, their Wives.  Some of them in came and chose and made it so in ways I can respect.

Bell1, 2015, 20" x 24", mixed media (acrylic) on canvas.

Bell1, 2015, 20″ x 24″, mixed media (acrylic) on canvas.

I think about my Scots ancestors who fled here two generations & eight generations ago to look for a horizon they could aim for, for once.  I think about now and La Loche and four people dead like lightning, like an arrow to what we need to see and be accountable for.  I think about Idle No More, about Truth and Reconciliation.

I can barely remember the last specific, technical idea I had about music or painting – these old old ideas are far stronger.

'Black'. 2014, 36x36, acrylic on dyed cotton.

‘Black’. 2014, 36×36, acrylic on dyed cotton.

I intend.

To take the next precious decade of my life to examine and build a good answer to these things I wonder and care about, more every day.

My thinking fingers have written this:

We are all a product of our own small community that overlaps in myriad ways with larger ones like the Internet, like a city, a collective, a field, an orchestra, a band, large or small.  I’ve come to believe over this small span of years that each is an ecosystem that thrives according to the strength of it’s connectedness.

I’ve found also that few connectors are stronger than the making of good music. As a painter who also writes and performs regularly as a vocalist/cellist I have experienced this time and time again: visual art and writing connect us more deeply to ourselves but music connects us, through ourselves, to others. One might say that community music is like mycelium – a connective tissue that can convey a supportive ‘nutrient’ through the system to everyone who requires it….

photo by Robbin McGregor, bee-keeper

photo by Robbin McGregor, bee-keeper

The timing is right.  I will get my Master’s degree at Laurier, in Community Music.

Like the impossibly suspended whale, like a Rebel, I will pay for this with the proceeds from my paintings.  They will be on paper and canvas, in watercolour, ink and oil.  They will sing.

Bent_Tree_close

Find a door you like, one that calls change to you.  Then you go through and in.


1 Comment

January 2013

A fog-laden wind sifts through tree boughs to the northwest.  Into my left ear the presto drip of snowmelt on metal roof is punctuated by a random slide, thunk of heavier stuff pulled to ground.  On my lap, the steady, thundering purr of kitten.

The dark outside is thick with visible air, like stirred winter stew. It feels almost balmy after these minus 29 degree days so I’m tempted to stay out…  but no.   To inside, under thick blankets. To listen, not look.

And here, like a gift, like a soul’s massage, is the heavy rain.

It’s been travel travel for me these past weeks, through the bustling silence of January 2013.  Not what I had expected.  The first month of the year in this place has always had the sensibility of a well-caught breath.  For me it’s always held the promise of a month of stacked, not linear time – so that ‘was’, ‘is’ and ‘will be’ are all in the same moment.  This makes it oh so much easier to find and feel the “Ah.  Yes”  – the insight that will become the engine for the following months and years.

Oddly enough – even amid the schedule and the travel and the deadlines, the all-nighters, the practise and the rehearsals, the cover letters and the interviews, the Wagner, the B&B and the Beethoven, this has still happened.  There is clarity even in this fog of winter stew, and I feel quite deeply certain about a few key things.

KG, I need an axe song – can we talk?  L, I need a couple of songs from you too.  Owen Sound – we need to make good music education available to every kid in this place – and soon.  I’m not kidding about this – in another well-identified post I will gather links and information to illustrate beyond any doubt what is possible here.   To the women of #IdleNoMore – I get it.  Thank you for opening a place where we can all talk and heal together.  G, I get where we’re going, and it’s good.  T, thanks & good luck with the simplification project.  F, L  – courage.  Darlin D – well done.

Oh I feel blessed.