Keirartworks's Blog

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Research methods

This spring term has been spine-cracking difficult, not just because of the workload but because of what it’s transforming in me – a requirement of fulfilling what has been assigned:  Read the following ten books by next week; comment and engage in discussion online re same; define a research question and complete a lit review by the week after; build two presentations for the same two weeks 1. about narrative research 2. synopsis and discussion of a major thesis paper related to your subject….

…write a final Research Study Paper Proposal (35%) and hand it in by the end of June; change your mind about your own capacities for this work, now; imagine yourself as a much larger and more efficient person, now; sort out your philosophical and methodological tendencies; ask if you have any questions…

I come up for air to tuck into a quick poster design for a show at Leith Church in July. I realize as I make a poster using these photos that in July I get to rehearse, trade stories, laugh and cry with the persons in the photos.  Then we perform together. Who gets this in their life?!?!

poster draft, missing photo credits, and ticket information. Here is the former: Tom Thomson (Canadian 1877 – 1917), Soft Maple in Autumn, 1914. oil on plywood, 25.5 x 17.8 cm Collection of the Tom Thomson Art Gallery, Owen Sound, Ontario, gift of Louise (Thomson) Henry, sister of Tom Thomson, 1967, Photo credit: Michelle Wilson. Ann Michaels photo is ©2009 Marzena Pogrozaly; david sereda photo is © John Fearnall @ GoodNoise Photography. Also, you should come to this if you can. It will be more than magical.

I come up for air to meet my incredible lifelong friends at Summit Place retirement lodge where my dad is, and stumble through some challenging but lovely music. Little Fugue, Brandenburg III, Danny Boy.  Dad cries, as he always has when I play for him.  Another resident tells me afterwards that listening to us play blew the dust off his soul.

porcupine teenager, retreating after I asked him firmly to stop eating the plywood at the shore bothy. They kept coming for hours, until I firmly shooed his mama (HUGE) with a few stones, and brought all plywood inside, at 3am.

I come up for air and find myself waking at the shore, staring at an endless infinity of my friend, the Bay, who is so much a part of who I am

I come up for air and find myself playing Sibelius and the Bach Double in the midst of a high school orchestra in Meaford

I come up for air, blink my astonishment at the world, then dive back in to a deeper understanding of how much I don’t know, dive again for pearls of transformation.  Find my gills, drink humility again and again, knowing it is elixir.



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#Water: integrity

I think about reflection, and Oscar Wilde pops into my intuitive fishing net.  He brings his Dorians Grey for discussion – the beautiful ageless public face and the ever more twisted and toxic one hidden in the attic.


Oscar the bon vivant who hides a keenly perceptive heart behind his great wit – he’s good company when I’ve just come through a wicked-hard tunnel of work and surface to breathe in an hour without deadlines, rehearsals, concerts or commitments.


We talk about navigating the treacherous waters of high society, while still maintaining the even keel of integrity. We share stories of being maneuvered to help a cause in the name of great friendship then later discovering to our great embarrassment that we’d simply been used.  Is it the cause, then, that reaps the value invested?  We suppose so together, and sip dry dry wine richly laced with self-mockery.  It is the most healing of all humours.


We see and reflect only on what we know, and are so often blind to the world beneath the surface. If water is a universal solvent then it is also a solution of which we are all an integral part.

a place I love.

a place I love.

Value comes in different currency for everyone, but I would wish for this world that we could value one another, and ourselves, more than we do.