The studio is different, this second day of 2016.

It’s taking some time for the subtle but undeniably permanent changes to sink in.  Some can be identified now; the bell paintings I began in December ring at a new frequency – thirty-six hours from now they will finish in a way I hadn’t imagined.  There’s a kind of inner ‘glow’ to them – as though they were still in active process of becoming while I was elsewhere attending to christmas gatherings, encountering and engaging family; playing like someone 5 years old and far wiser with dear dear friends; making and sharing beautiful communal music; solving puzzles; sorting buttons by colour and size; breathing the outside air, forgetting worry.

These bell paintings are more fully themselves – I won’t need to work so hard to bring them home.

Almost impossible to get the yellows right for this photo. The real one is like sunlight - I'm utterly charmed by it.

It’s impossible to get the yellows right in this photo – I’m not a good photographer & certainly don’t understand enough tech to make it right. The actual painting I stare at on the wall is like sunlight.  It puts me into a hammock on a hot summer day that is made bearable by a perfect, sun-quenched breeze.  I can hear honeybees, cicadas, crickets, red-winged blackbirds, the caterpillar beside me, who chews an ash leaf.  A crow comments, occasionally.

There’s more room in here, impossibly.

How…?    I’ve not moved anything out except – oh ya.  The Bell paintings already at the Bean Cellar, and two hanging in living rooms.  Paintings that are finished take up a great deal of space and need to move on to some other wall, somewhere else.  I’d forgotten how strong they were.

Bell_SmSquareGround

None of my camera batteries have juice left.  I find patience, while they recharge and catch up with my curiosity.

step 3

step 5 – I’d give you step 7 but my camera batteries…. What I’m looking at is more like a golden thought than this earlier one.  Somehow the little bells ring inside a warm memory of change from long ago. Every colour is there- golden, rich red, deep violet, spring green, hemlock green, deep aqua loke Georgian Bay.

While I wait for camera batteries I listen, and realize that a new set of materials call to me for the first time in many years.  Paper. Ink. Plaster. Chalk.  – these will be a re-visiting, since that’s where I started long ago.  Pencil crayon, after seeing a drawing at the Durham Art Gallery that stole my heart in December (it now astonishes me in my kitchen, as it did when I unwrapped it at Christmas).

I feel I want to make use of Black for the first time since rejecting it’s place in my work 30 years ago.  It is the absence of colour.

Why black?  Now?  That’s a curious thing.

I follow the call to new media. Like a wise 5-year-old engaging in serious play. Hours go by, and no time at all.

I follow the call to new media. Like a wise 5-year-old engaging in serious play. Hours go by, and no time at all – like a good walk in the forest.

Happy 2016, everyone.  It feels new and full of promise to me.   You too?